Thread Rating:
  • 0 Vote(s) - 0 Average
  • 1
  • 2
  • 3
  • 4
  • 5
War
#1
starring Jet Li and Jason Stathan

If only the director could have afforded the Charlie's Angels threesome, this could have been a lot better. At least there would have been more eye candy while watching martial artist posers.

Okay, I'm being ironic and cynical. Jet Li has busted more incredible moves on screen than probably any other martial artist. And Stathan proved himself for me in The Transporter. But the director (and fight choreographer, if such an entity even existed on this project) could have used Lindsey Lohan and Paris Hilton to equal effect. What a waste!

The positives: Jason Stathan is very watchable on screen. Jet Li can be very watchable as well, if they let him venture from the cold-blooded robotic killer stereotype. Thankfully he did get to act a bit in the second half.

The negatives: Confusing plot, boring car chase, fights that seemed to have been filmed by putting the cameras on the fighters' arms. There are some quiet scenes made hectic because the director or editor saw fit to cut it apart into dozens of shots with weird timing tricks. I mean, these should have been quiet simple scenes! There is a scene where a woman gives Lee a suitcase of money, then strips, then retreats into the bedroom. But we, the audience, are not allowed into the bedroom. WTF!!!

Through much of the movie I was giving this a 3 out of 10. Near the end this slipped towards 2, because I was getting pissed at the cameraman. True, the camera did sit still in some scenes. Unfortunately, it was placed between the fighters. Limbs entered and exited the frame without context. Some of the fight scenes seemed well-planned and well laid out. But one after another they were rendered unintelligable. I got so mad I wanted to punch the cameraman in the mouth.

There was an interesting twist at the end, which preserved a 3 out of 10. But good god, what a waste of martial arts talent. Also, I was deeply disturbed seeing Jet Li driving around in these fancy sports cars, grinning ear to ear. Okay, I realize he's acting. Still, it short-circuits all his claims about quitting martial arts films to pursue Buddhism. I mean, my brain hurts from all that is wrong with this project as a vehicle for Jet Li.

I shoulda just looked at the posters, and let DM go to the actual watching.

--cranefly
I'm nobody's pony.
Reply
#2
War takes place in S.F. That's certainly worth another point. But the real kicker is why. War was a thinly-veiled redux of how DM and PPFY met. I shit you not. In fact, I was quite amazed to discover that they had turned our eyes-only dossier into a Hollywood movie. Of course, they took plenty of liberties with the script, probably to proect the innocent, but to explain, I have to let loose some SPOILERS. THIS IS THE OFFICIAL SPOILER ALERT. Obviously PPFY survived - the sniper bullet merely caused a minor frontal lobotomy, which curtailed his oral fixation and fixed his raspy voice. Actually, it was a considerable improvement. DM fought many more ninjas than Rogue, included a spectacular fight with Devon Aoki, but that was cut just like the bedroom scene. Or maybe it was re-edited into DOA. Corey Yuen did the corey-ography there too (see DOA, CF, you'll like it much better). All that triad/yakuza stuff was pretty authentic although DM remembers more nekkid sushi platters and neon-painted cage dancers. PPFY did not have to skip down to Tijuana to confirm the face-change op. He only had to crossover into the Mission, and he knows his way around there quite well, especially the burrito joints, so it could happen well within the timeframe of the movie. There were less guns when DM met PPFY. In fact, there were only cold arms, mostly more thrown weapons and flexibles, like chains and such. DM didn't always wear a black suit. There was more tie dye in the wardrobe. PPFY's fashion was accurate - the film captured his fashion to a T. Of course, PPFY never had a wife and child. There was a bear and dwarf, but they didn't enter into the real story at all.

Ultimately, I must stand behind Jet's claim. This was not a martial arts film. Sure, he fights some ninjas, has a sword fight and a shovel vs. sledgehammer fight, but that wasn't really martial arts for Jet. It's Jet. He can't just quit cold turkey. This was an action/drama loosely based on the epic meeting of DM and PPFY.

PPFY will like it for the balding Statham. The rest of DOOM will hate it for the jiggly cameras. For me, it brought back memories, so many memories of the triad/yakuza daze, that and meeting PPFY.
Shadow boxing the apocalypse
Reply
#3
WTF???!!!

Let me recheck that poster....
I'm nobody's pony.
Reply
#4
Oh, those were the days...!

I wonder where Buttercup and Gondar The Dwarf have gotten to after all these years...
In the Tudor Period, Fencing Masters were classified in the Vagrancy Laws along with Actors, Gypsys, Vagabonds, Sturdy Rogues, and the owners of performing bears.
Reply
#5
It occured to me just how many times Jet has played a dark-sunglass-wearing hitman, dressed in a black suit, so I decided to rate them, best to worst.

Hitman: Eric Stang (Popeye in ED's DOOM flick) stole the show. This one defined the dark-sunglass-wearing hitman, dressed in a black suit for Jet, at least in title.

The One: Time travel ability was a definite plus for the hits. His dreadlock incarnation was the best.

My Father is a Hero: Miu Tse stole the show. He was a kid kung fu star. They always steal the show. I think Jet wore black in this. He must have.

Unleashed: Bob Hoskins stole the show just by being Bob Hoskins extreme. Not really an assassin, but Jet did wear a lot of black and killed on command. Close enough.

Lethal Weapon 4: Nice work with the mala-garrote, but too derivative of Robert Shaw's watch in From Russia With Love.

Kiss of the Dragon: Nice work with the needles, but too derivative of Lee's toothpicks in Return of the Dragon somehow. I know it inspired LB to go into acupuncture.

High Risk: Chingmay Yau stole the show with her bargaining orifices with her potential rapist. Jet played a stuntman, not a hitman, but we'll overlook this for the blatent hit on Jackie's character, which Jet later apologized for publicly. I think Jet wore black in this. He must have.

The White House visit: This would've been more impressive if he'd actually assassinated Nixon and Kissinger as planned, but they seduced the 11-year-old Jet with ice cream. I think Jet wore black in this. He must have. It was under his commie red sweats for sure.

Bodyguard from Beijing: Christy Chung stole the show. This was her at her peak.

Romeo Must Die: It was Aaliyah, not Romeo, who did the dying.

Cradle to Grave: I can't remember what happened in this movie at all.

Black Mask: Nice work with the mask, but too derivative of Lee's in the Green Hornet. The best scene in the film was the comment on that being too racist.

War: Too played out now obviously. Jet needs to stay away from those close-ups that show off his pock marks. It was good to see him in SF again - he hasn't done a film set here since Dragon Fight.
Shadow boxing the apocalypse
Reply
#6
Don't watch this movie in a hot house on a sleepy Saturday. It makes it hard to keep straight who head the Yakuza and who headed the triads. Damn Asians all look . . . .. The nap in the middle probably would have helped with the confusion.

For shooting in San Francisco, they sure didn't use a lot of San Francisco locations ( I perked up when the establishing shot was of foggy San Fran, but then they went on location to some other city.) Only a few second unit shots of SF were seeded throughout the film but for the most part, they were somewhere else.

The gag reel on the DVD was good but brief mainly because it had a lot of goofy JL stuff. I don't think I've ever seen him be goofy. So, rent the DVD and just watch the two minutes of gag reel footage. No more David Statham films unless they are directed by Guy Ritchie.
So much for the flickr badge idea. Dammit
Reply


Forum Jump:


Users browsing this thread: 1 Guest(s)