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Blow-Up Doll
#1
"You'll keep the house clean?" Assurances. "And do the laundry?" Of course. "And remember: garbage pickup is Wednesday mornings." Oops. "It'd be nice if you vacuumed." On my list. "You know what would be ever so nice? If you polished my cutlery." Puzzlement. "You know, my swords! The antiques, because they're starting to show some rust. They'll lose value if we don't take care of them. You'll see what I mean in July when I take them to the Antique Road Show in San Jose." Will do.

Slopping Meyer lemon chicken and rice onto a plate (it grows ever soupier, and greener, seeming to breed in the fridge, never running out), I feel a growing unease. Lady Cranefly's India trip is nearing its terminus. In my peripheral vision I cannot help noting a floor littered with newspapers, oil paint tubes like giant slugs leaving vivid color trails, dirty clothes strewn about. The sink is stacked high with foul-smelling dishes. Things are approaching a precipitous point. Drastic action will soon be called for.

In the middle of dinner the doorbell rings. It's the UPS lady. She stands there with a handcart. Propped next to the door is a big box. I am suddenly very excited. I had all but given up hope. Though the UPS lady is usually very chatty, today she doesn't say a word. She just hands me the form to sign. I glance aside at the box. Printed on it in big bold letters is, "Fragile -- Sex Doll."

"It's for my wife," I say.

Wrestling the box indoors, I lower it to the living room floor. Despite my excitement, I'm also apprehensive, hesitant to open it. I've been burned before. Blow-up dolls can be so painfully disappointing. You base your purchase on the gorgeous face and figure on the box, then you open it up and ... oh my.

Despite the "oh my," you proceed. You've paid for it, you can't take it back; you might as well take it for a spin. But it's just not happening. You're trying to kickstart a moody motorcycle. You keep kicking, and kicking, and all you get is that flaccid sputter. So you raid your wife's jewelry box. You accessorize. You add earrings -- clip-ons, mind you, or you'll be doing repairs. And keep a bicycle repair kit nearby regardless because patches are inevitable. You give her a nice necklace, an expensive bracelet-- You'd add a ring or two, but all she's got are stub-fins like some prehistoric amphibian. Now you try again, focusing on the accessories. You avoid the vapid face, the bloated torso, the floppy limbs. You focus on the fishnet stockings you added in a last-ditch effort...

And it just isn't happening.

Traumatized by the whole affair, you swear you'll never go there again. To purge the nightmare from your memory, you perform a ritual cleansing in the middle of the night. You chant, meditate, burn incense, you bow three times to the eight directions, make offerings of tea and whisky, poke pins in strange origami creatures created by your cat. Then you inflate the blow-up doll with helium and release it to the heavens. As it ascends beyond the point of Ms. Moire, you want to believe it is fading. But deep down you know it's still with you, you're scarred for life, and you'll never go there again.

Except you do.

Kneeling next to the box, I glide a finger along its edge. These days you can do better than a blow-up. Much better. Those Japanese, you gotta hand it to them. They are innovators extraordinaire. They've got dolls that talk, that waddle, that swim. They've got dolls that pinch your cheek, wink at you, and show dimples when they smile. Dolls with skin that gets goose-bumps, is warm to the touch, covered with downy hair (and thatches where appropriate). Those that move, move well. Those that don't, beckon in the most inviting ways. The variety is so intoxicating that making a choice can be difficult. Still, after six months of careful research and evaluation -- in preparation for Lady Cranefly's absence -- I knew the one I'd get.

I didn't buy it in our miserable economy. Like I said, I don't buy anything now. I placed the order before things went south, arranged for it to be delivered later. Besides, it only cost 138,000 yen. That sounds like a lot, but in US dollars it's only $1,453. Of course, the auxiliary modules can add up. That's where they get you. Volition ($750), voice ($900), personality ($1100). I had to get those three. And with three you get a fourth free -- Kink, normally $650.

The manufacturer is Tokyo Oh My. Every doll they make is unique. That sounds gimmicky, but it sucked me in. Unique dolls with unique names, no two the same. In the end it was the name that decided me. Atom Bomb. I mean, how ironic is that? An American ordering a fully articulated automaton doll from Japan named Atom Bomb? It seemed funny when I placed the order, but afterwards I started to worry. I couldn't sleep. I kept imagining her crossing the ocean, then traveling by truck, maybe even driving the truck herself, getting ever closer, clutching my invoice to her mushroom breasts, cooing, "Oh, Cranefly, you American boy, you get number one treatment from Atom Bomb, big time."

Now she's here, inches away, inside this box. All I have to do is open it.

Fudge, our small Persian, creeps cautiously forward to sniff a corner.

Still I hesitate. Am I feeling guilty? Doesn't this smack of infidelity? No. I'm expanding my skill set. I work in the high-tech sector: software programming and technical writing. It's vital that I stay up-to-date on all the latest developments, the newest gadgets. I'm unemployed, looking for work, competing against countless others in similar circumstance, as well as the best and brightest of the new generation.

I have a responsibility to expose myself to this new technology. I owe it to Lady Cranefly.

Fudge has stopped sniffing the box and now hunkers down, extends her neck and coughs. Soon she produces a giant hairball. Like all her recent produce, it has an unusual shape and texture about it -- like origami. This one is a masterful depiction of fate. I carefully lift it from the floor and set it on the bookshelf along with the others. Then I open the box.
I'm nobody's pony.
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#2
Are we all going to chip in so Lady Cranefly can go on another trip?
So much for the flickr badge idea. Dammit
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#3
it would probably be good for both LCF & CF. it's great for our reading pleasure...
Shadow boxing the apocalypse
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#4
Inside, there's lots of cardboard, Styrofoam, bubble wrap and a plastic shroud. All I can see clearly is a button. It is labeled "auto unpack/assembly." With a shrug I push it. Two hands appear and quickly set to work, first laying all the parts out around the box, then retrieving them in quick succession for assembly. Fudge is gone in an instant, slinking out the open kitchen door headed for the backyard to hide under the catapult. Meanwhile, the assembly proceeds in fits and starts like a timelapse video of a skyscraper going up. While it's hard to see details because of the translucent shroud, this construction clearly favors curves. Suddenly the shroud leaps ghostlike from the box to land on the carpet, a cocoon soon to split open, revealing a technological marvel.

She is intensely Japanese. Long black hair, oval face, eyes emphatically Asian. She wears a yellow halter top, ankle-length red skirt with scandalous side slits, and precipitous stiletto heels. A generous portion of her midsection remains exposed. The advertising copy mentioned an hourglass figure. Little did I imagine it would be an actual hourglass, sand sifting through it. While you'd think this would detract from her realness, it's a superb design choice that somehow enhances her flesh appeal. She is absolutely gorgeous.

"Hi, I Atom Bomb, ready and go. What you idea." She smacks fist to palm. "We happen!"

It's a resounding smack, a bit frightening. And now I realize I'm not at all prepared for the moment.

"Well, uh. I was just finishing up dinner."

Fist to palm. "We happen!"

Uncertain of exactly how to embark on our relationship, I return to the table and sit down. She follows, walking pigeon-toed with a herky-jerky motion, almost Frankensteinian, fingers stiff and widespread, eyes wide open, with a precarious lean. It's freaky, and not nearly as smooth as I had expected, but also hot -- you know, bride-of-Frankenstein hot.

She grabs the chair opposite me and tosses it aside, then assumes a sitting posture. She doesn't even need a chair. Gripping fork and knife, she inhales deeply, then slams her fists to the tabletop. "Swallow time!"

I choke on my beer. "Uh, what would you like?" I'm not looking forward to telling her there's only moldy leftover Meyer lemon chicken and rice.

"Ooooommmm, I like fat men -- and little boys!" She grins wickedly. "Joke thirty-three! Good, uh?"

It takes me way too long to get it. Then I laugh. "I'm glad you know English. It's a relief. I was worried communication might be a problem."

"Yes, me no English. Me Japanese. You no English too. You American. You Obama boy."

I try to assure myself that things will smooth out once we get to know each other better.

Atom Bomb stabs her fork in my direction. "You want sex? I have sex. Big hippo sex. I give it goooo-ud!" She delivers an odd mechanical guffaw.

This is all happening way too fast for me. Still, this is what I got her for. "Sure, we can do that."

"Okay!" She leaps up with an expansive gesture, upending the whole table. I fall over backwards in my chair. She tilts her head, plants hands on hips, and looks down at me. "No kitchen pow!" She grins widely. "Bed-ROOOOM!"

I lead the way to the bedroom, glancing nervously behind. Atom Bomb lurches after me, mantis-like. In the bedroom I retreat to the foot of the bed and just stand there. I haven't a clue how to proceed with something like her. It's like being handed an unfamiliar power tool with way too many blades and switches.

"Uh-oh," she says, looking down at her hourglass. The sand has finished sifting through it. "Poopee time!" She drills index fingers into her dimples, eyes crossing. Then she jerks her way down the hallway to the bathroom, hair tossing side to side. She hesitates outside. "Excuse, please." She twists her body about to face me. "Which is lady?"

"There's only one bathroom," I tell her. When that seems to confuse her, I quickly add, "Yes, that's the ladies."

She goes in, closes the door, and the whole house shakes to the loudest fart I've ever heard.

She emerges a few minutes later, patting her replenished hourglass. "Goodbye poopeeee!" She makes a wide gesture of dismissal, blowing a kiss to infinity. Then she averts her gaze and touches her chin, looking coy. "Excuse my frank." Then she leaps onto the bed and spreads her legs. "Foreplay please!"

Steeling myself, I venture to sit down on the edge of the bed. "So. What exactly do you like?"

She flops onto her stomach, tugs down her skirt, and sticks her butt in the air. "Goochee-goo!"

To my surprise, there's a windup key back there. I proceed to turn it, and turn it. Every time I ask if that's enough, she says, "More screw please!" I turn the key over 200 times and my whole body is aching by the time she finally says, "Okee-doke." I fall back on the bed, exhausted.

Atom Bomb turns over, arches her back, and her eyes get big. "Close windows please! I make loud sex!" Then she begins to vibrate.

The light fixtures shake. Pictures fall off the wall. The windows rattle. She's like a jackhammer. Through all this I manage to hear the phone ringing.

I run into the living room to answer it. "Yes! Hello! Hello!"

"Hi, it's me."

I recognize Lady Cranefly's voice. "Oh, hi! Everything okay?"

"I'm fine. How are you? How's Fudge?"

"We're fine. Fudge is outside right now."

"What? What's that noise? I can barely hear you."

I look towards the bedroom. "I'm vacuuming."

"Vacuuming? I'm so proud of you. But couldn't you turn it off while we talk?"

I think fast. "Sorry, the off switch is broken. It broke completely off."

"Silly. Then unplug it."

I think faster. "Well, uh. I can't. Our power's out, so I had to plug into Dave's place. He said we could use his power."

A pause. "You have an extension cord running across Burgoyne Street?"

"Yeah, pretty crazy, huh?"

"You know that a street sweeper comes through about this time. Couldn't that be a problem?"

"It's okay," I say, struggling. "I've got the cord propped up off the street."

A pause. "How high off the street? Some pretty big trucks go by our place."

"Happy writhe time!" shouts Atom Bomb from the bedroom. "Happy writhe time!"

"What's that noise? Do you have the TV on too?"

"Uh, yes! Yes I do."

"You have two extension cords running across Burgoyne?"

I've never been a good liar. "No, just one. But I'm using a splitter."

"A what?"

"A splitter," I repeat, not knowing what I'm talking about.

"What? I can barely hear you. Maybe I should just call you back later, after you're done vacuuming."

"Okay, bye!" I rush back into the bedroom, because Atom Bomb is making new noises.

"I smell -- fission!" she cries, emphasizing the last word. "I smell -- fission!"

What does she mean by that? Is there a malfunction? Might she actually have some sort of bomb in her?

"I smell -- fission!"

If so, how do I defuse her? Do I whet my thumb and forefinger and snuff out the fuse? Do atom bombs even have fuses? If so, it's likely a very short one -- like a trillionth of a nanosecond!

I squeal as she snags my wrist. Her grip is like a vise.

"Anchovy time! Big passion!"

Her hourglass is a raging sandstorm. Sand grains pound the glass, louder than ten thousand popcorn makers.

"So big passion! Me explode! Load please! Load torpedo now!"

But there's no time for anything. She springs into the air -- hourglass aglow and spinning madly -- and for a moment she is spread-eagled against the ceiling, looking down, long hair writhing, eyes ablaze. Then she tumbles back into bed, landing on her back, chest heaving.

"Kapow!" she says dreamily. Her breathing slows -- or the mechanism for it dampens. "Big time kapow. You number one."

As she lies there, I look at her. It's the first opportunity I've had to really see details. Her skin glows. She is flushed and sweaty. She even smells sweaty. The realness amazes me. Everything about her amazes me. I brush strands of hair away from her face, which, so intense before, has taken on an angelic sweetness. Her eyes flutter drowsily, and I wonder if she is capable of sleep.

Suddenly she tenses. "Oopsy." She props hips up on hands. "Clear runway please. No look. No look! I--" She crinkles up her face. "--peeeeeeeeeeee!"

"Nooooooooooo!" I shout. But it's too late. All I can do is roll aside as she gushes. The stream arcs high, nearly hitting the ceiling, and engulfs the weapons rack at the foot of the bed. There is a mortifying hiss and sizzle.

"Bingo! Monsoon done!"

I spend the next half hour frantically wiping down all our weapons, giving special attention to Lady Cranefly's antiques. I have no idea what came out of Atom Bomb. But if Lady Cranefly had any inkling of what had just happened to her "cutlery"... Then I collapse in bed beside Atom Bomb.

"You know, we do have a bathroom for that sort of thing," I murmur. Still, I don't want to be too harsh. We're still in the early stages, just getting to know each other. I rest my hand gently on her shoulder, but nothing more. I'm more exhausted than if we'd had sex.

She sits up abruptly. "Okay. Good fun, eh? Now teevee."

"What?"

She punches my shoulder so hard it stings. "Teevee! Where teevee? We watch teevee now!"

I cover my head with a pillow. "Couldn't we just sleep a while?"

"No sleep. Watch teevee. Have Sex. Now violence. I want ... Ichi the Killer!"

I lift the pillow and give her a tentative look. She is pouting. It's a nice pout, all puckery, like a gaping hole into hell. "Ichi the Killer?"

"Ichi the Killer! I want Ichi the Killer!"

Amazed at this turn of events, I slip out of bed. "Sure, we can do that." I pull on my pants. "That would be fine." Then I pause, looking back at her. "Do you climb ladders?"

"Climb ladder?" She dangles an arm like it's broken. "Warranty kaput."

I slip on my shoes. "That's okay. I've got a catapult."
I'm nobody's pony.
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#5
Ummm... you should be sharing this with a bigger audience - it's freakin' brilliant!
In the Tudor Period, Fencing Masters were classified in the Vagrancy Laws along with Actors, Gypsys, Vagabonds, Sturdy Rogues, and the owners of performing bears.
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#6
I've been wondering where that could be submitted - some hybrid pub of fantasy and sci-fi with penthouse letters....
Shadow boxing the apocalypse
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#7
Thanks for giving me an audience.
I intended one more entry -- LC's return -- but am prosed out for now, and out of time -- need to switch to house-cleaning bigtime.

I'll package the episodes up, maybe add one or two more, try to give it a nice shape, then think about a market. Gordon Van Gelder at the Magazine of Fantasy and Science Fiction has always been kind to me, but he's being forced to bi-monthly now, curse this economy. Also, he is forever pressured by the libraries and others to keep the prose clean (I've had to negotiate with him in the past on the number of "fuck"s in a story).

Sometimes there's anthology markets with weird subjects -- such as stories about carousels, or crime stories with a gay PI, or stories in which a clown masturbates on stage. I'll just have to check around, see if something fits the bill. The hardest part by far is always writing the story. Getting it published is merely very difficult.

Thanks again.

--cranefly

P.S. Would any of you be free in the next few days to lend a helping hand? I hadn't considered how hard it'd be to get a TV back down from the roof.
I'm nobody's pony.
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#8
Couldn't you just put the catapult on the roof and fire the TV back to earth?
So much for the flickr badge idea. Dammit
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#9
I'm thinking we need to do this under the cover of night.
The house is under constant surveil these days.
And the police won't listen. They just talk.
Talk, talk, talk...
http://www.garywshockley.com/images/surveillance.jpg
I'm nobody's pony.
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