01-26-2015, 04:33 PM
I boycotted this when it first came out because of the censorship and swore not to see it except in Kubrik’s intended cut. Well, that unrated cut has been out on DVD for quite a while now. Unfortunately, the library doesn’t carry it. So I finally broke down and watched the butchered version.
It’s annoying to watch those scenes where the main action is blocked by shadowy figures standing in the foreground. It messes up the composition in a blatantly unKubrik way. And I continue to curse the censors for their disrespectful sendoff to the just deceased Kubrik.
But in all honesty these were brief scenes and don’t greatly impact the overall viewing experience.
In total, the film is interesting enough by the sheer power of Kubrik’s direction. But it is slow-moving, and the sexual aspects have an antiseptic feel about them, as if everyone’s wearing gloves and is carefully posed and airbrushed. Though Kubrik likely did this by intent, I cannot help feeling it hurts the story, which would have been more compelling with impassioned and spontaneous acting. Overall, it doesn’t strike me as among Kubrik’s best. But it does provide a nice glimpse of a spritely Nicole Kidman in the buff early on, in stark contrast to the almost grotesquely voluptuous (and nearly identical) nude slaves in the later party scene. Okay, so they weren’t really grotesque. But Kidman does have a wonderful elfin body.
Oh, after watching it I spent a couple hours online reading analyses of the movie. There’s no doubt that Kubrik loaded every scene with tons of symbolism. Still, methinks that while putting bark on all of those trees, he lost track of the forest.
Something like that. At least it wasn’t French.
It’s annoying to watch those scenes where the main action is blocked by shadowy figures standing in the foreground. It messes up the composition in a blatantly unKubrik way. And I continue to curse the censors for their disrespectful sendoff to the just deceased Kubrik.
But in all honesty these were brief scenes and don’t greatly impact the overall viewing experience.
In total, the film is interesting enough by the sheer power of Kubrik’s direction. But it is slow-moving, and the sexual aspects have an antiseptic feel about them, as if everyone’s wearing gloves and is carefully posed and airbrushed. Though Kubrik likely did this by intent, I cannot help feeling it hurts the story, which would have been more compelling with impassioned and spontaneous acting. Overall, it doesn’t strike me as among Kubrik’s best. But it does provide a nice glimpse of a spritely Nicole Kidman in the buff early on, in stark contrast to the almost grotesquely voluptuous (and nearly identical) nude slaves in the later party scene. Okay, so they weren’t really grotesque. But Kidman does have a wonderful elfin body.
Oh, after watching it I spent a couple hours online reading analyses of the movie. There’s no doubt that Kubrik loaded every scene with tons of symbolism. Still, methinks that while putting bark on all of those trees, he lost track of the forest.
Something like that. At least it wasn’t French.
I'm nobody's pony.