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Grindhouse
#1
Feature 1: Planet Terror

Who needs another zombie movie? I mean, zombies have been done to death. It's like the ultimate in-joke, where the director rounds up all his friends and they get to appear in the film, staggering mindlessly about and looking about as menacing as the Mummy. Here's a clue if you run into zombies: Walk away from them.

But Rodriquez is a major directorial talent. He breathes so much new life into the zombie genre that this feature hits on all 8 cylinders from start to end. This is a wonderfully enjoyable 95 minutes, with good plot, deft pacing, great characters, emotional engagement, and lots of high camp scenes and even some very inspirational.

I loved this feature.

Intermission Previews: I couldn't stop laughing. I was still laughing long after they ended. This has needed to be done for a long time ...

Feature 2: Death Proof

One of Tarantino's great strengths is his use of uniquely strange dialogs or monologs in his movies. One of his great weaknesses is his use of long boring dialogs or monologs in his movies. Sometimes he's on, sometimes he's way off. He doesn't seem to have a very good filter. Likewise his pacing can be very uneven.

The first three quarters of this movie is a talkathon. Oddly, even though it slowed the plot to a snail's pace, I found it bearable and even engaging. I felt the women's banter was quite believable. But lady cranefly disagrees, saying that it represents what men think women talk about. I dunno. I've found myself alone with lots of women on many occasions in my life -- we're not talking harems, okay? Just social gatherings. And I always zoned out very quickly because, well, the subject matter seemed very gossipy and of little interest to me. So the Lady and I have a minor disagreement on this point.

But like I said, I found it engaging -- perhaps because I was in an incredibly passive mood, having just finished two insane back-to-back deadlines at work. So a slower pace was even appreciated.

But then came the car chase. Yes, the f***ing car chase. I suppose one could say the film was hitting on all 8 cylinders but in all the wrong ways. And at this point I I should excuse myself from further reviewing this feature because, well, that's what it is -- a car-chase movie. Tarantino wanted to make the 3rd best car chase in film history. Some people think he succeeded. I think he failed miserably. I won't go into the specifics, except to wince at the sheer illogic of the thing.

It was great to see Zoe Bell cast as one of the main characters (she was Xena's stunt double, likewise for Uma in Kill Bill, and lots of other stuff). Though she lacks the Hollywood glamour, I felt she did a very good job and hope she gets to appear in other roles.

As for Kurt Russell, he's at his best. He can be mesmerizing on screen, and I wonder if he's been long underrated.

All in all, I really enjoyed this outing, and while Death Proof did have its moments, Rodriquez' Planet Terror totally kicked butt and stands as a minor masterpiece.

--cranefly
I'm nobody's pony.
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#2
...your mileage may vary, as indicated by this review by someone I used to hang out with.

But I still hold strongly to my convictions, and am flabbergasted at some of his skewed perceptions...

http://community.livejournal.com/theinfe...tml#cutid1

--cranely
I'm nobody's pony.
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#3
That reviewer needs to get over himself. I find myself in the middle of both reviews.

It was enjoyable pulp. There were a lot of in jokes. But what do you expect when you go to a movie called Grindhouse?

It was all pretty whacky, but the moments of tension I liked the best were in Tarantino's section. It also had the dullest let's show off our dialogue writing skills. Feh. And it also had the most jarring segue from the first half of the Tarantino film to the second. At least he didn't make the women wear bras. How liberating is that?

As for Mr. Rodriguez, he had the most story lines going in his film. None of which ever really paid off. But it did have the extremism, of dare I say, Hong Kong cinema. There is nothing better than a crying gogo dancer, if you ask me.

I'm waiting for the release of She-Werewolves of the SS.
So much for the flickr badge idea. Dammit
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#4
I expected to dislike this. Every time I saw a preview with the machine gun stuck in Rose McGowan's leg stump, I was wondering, what exactly she did to "pull the trigger" and thinking, "Ew, ick!"

But I gotta say, for the most part, I actually enjoyed myself. There were some great lines and I laughed out loud several times. The violence was cartoonishly overboard and so not particularly disturbing (except for the first half of the f***ing car chase.)

The part I disliked was the excessively dull, talky first half of Deathproof. The only purpose I can see for it is to give a little depth to Kurt Russell's character and so that Quentin had a chance to act in that one, too. Snore. Waste of time. Sort of like worrying about a plot in a porno -- it's not like any of this was intended to be believable so why waste time with dialog that doesn't tell you anything?

I thought Roasario was great, Kurt was great, Rose McGowan was fantastic. Jeff Fahey was hysterical.

One thing confused me, and I suppose it's just a reference I'm missing. Sidney Poitier was in the opening credits for Deathproof. Why???
Before you criticize someone, walk a mile in their shoes. That way when you criticize them, you're a mile away and you have their shoes.
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#5
You didn't recognize Sidney Poiter in the movie?
You weren't paying attention!

Okay, so I didn't notice him either.
But amazingly, I have the answer. Lady Cranefly read up on the movie after we saw it, and I have to credit her with giving me the answer.

There are two Sidney Poiters. One is the one we all know.
The other (I'm not making this up!) is his daughter.

--cranefly
I'm nobody's pony.
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#6
SAG does not allow two actors to have the same name to avoid just this sort of confusion. Kudos to Lady Cranefly. Hope her typing hands get better soon so she can add her own posts.

[Image: th-DP96R1.jpg]
So much for the flickr badge idea. Dammit
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