01-30-2013, 10:59 AM
I started my review of this on the Ashes of Time thread: <!-- l --><a class="postlink-local" href="http://brotherhoodofdoom.com/phpBB3/viewtopic.php?f=6&t=1611">viewtopic.php?f=6&t=1611</a><!-- l -->
Bottom line: This is a gorgeous film, a filmmaker's film, the kind of film that you can spend hours deconstructing its cinematography if you're a film nerd. WKW is really working light and shadow, so many shots are tightly-framed glowing faces while the rest of the screen is pitch black. Z and Tony Leung have great faces, so it works.
As a Kung Fu flick, it works until about the hour and a half mark. There are some decent fights, all very artsy with the slo mos and stylistically visionary, yet still convey the action well. But the last half hour is about romantic regret, melancholy over missed chances, the stock and trade of most WKW films. There's no final climactic fight, or rather, the climax happens with a half hour more film to go, which just feels premature to me, but might be like cuddling after for the film nerd set.
Will this be the next CTHD? It might. I think the film crowd will love it, but I thought they would love Wuxia (aka Dragon) more too. It will surely stand as a 'must-see' Kung Fu flick for any fan of the genre because it is a departure from the norm, a classy beautiful production. I hope it does well as I hope any film does as it has some great messages and any good film is a boost to the industry. I'm no fan of Z, but she turns in one of her best performances since The Road Home.
It was a crime to watch this on a stuttering pirate. Well, pirating is a crime, but I mean that this is such a beautiful film that it deserves to be seen properly on the big screen, and I will pay to see it there if given the chance.
Bottom line: This is a gorgeous film, a filmmaker's film, the kind of film that you can spend hours deconstructing its cinematography if you're a film nerd. WKW is really working light and shadow, so many shots are tightly-framed glowing faces while the rest of the screen is pitch black. Z and Tony Leung have great faces, so it works.
As a Kung Fu flick, it works until about the hour and a half mark. There are some decent fights, all very artsy with the slo mos and stylistically visionary, yet still convey the action well. But the last half hour is about romantic regret, melancholy over missed chances, the stock and trade of most WKW films. There's no final climactic fight, or rather, the climax happens with a half hour more film to go, which just feels premature to me, but might be like cuddling after for the film nerd set.
Will this be the next CTHD? It might. I think the film crowd will love it, but I thought they would love Wuxia (aka Dragon) more too. It will surely stand as a 'must-see' Kung Fu flick for any fan of the genre because it is a departure from the norm, a classy beautiful production. I hope it does well as I hope any film does as it has some great messages and any good film is a boost to the industry. I'm no fan of Z, but she turns in one of her best performances since The Road Home.
It was a crime to watch this on a stuttering pirate. Well, pirating is a crime, but I mean that this is such a beautiful film that it deserves to be seen properly on the big screen, and I will pay to see it there if given the chance.
Shadow boxing the apocalypse